At some of the gigs I've done in this vein, I'm convinced I could play
"Greensleeves" over and over and over and no one would even notice. What they
mostly want is the look of someone with a harp in a corner, and an occasional
tinkly sound in the background. The more wine and champagne at the do, the
more true this is. Seriously! You'll get the hang of recognizing these kinds
of gigs over time. Consider them money for nothing - money for practise.
If that sounds cynical, I guess it might be, a little bit. But it leaves me
free to work hard on the performances that count, where people will really
listen, and leaves me stress-free for everything else.
Debra Knodel
----- Previous Message ----------------------------------------------------
To: HARP @ mit.edu @ UGATE
cc:
From: eubanks @ en.com (Steven and Jane Eubanks) @ UGATE
Date: Wednesday October 16, 1996 01:17 PM
Subject: re:bad gig
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I once asked an aquaintence of mine who is a professional singer if she had
bad gigs and she just rolled her eyes and shuddered. Maybe we all need to
contribute our bad gigs as stories (or funny gigs) and write a book
called...oh... I don't know..."Gigs from Hell or do you really want to do
this?" I bet it would sell to all of the musicians in the world. (better
make it inexpensive then so we can all afford it.) jane
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Steven and Jane Eubanks eubanks@en.com
427 Beech Street 216.234.9671
Berea, Ohio USA 44017