| Centre for Advanced Welsh Music Studies
Rathbone Hall, University of Wales, Bangor 5-7 July, 1995 Programme and Abstracts |
Canolfan Uwch-Astudiaethau Cerddoriaeth Cymru Neuadd Rathbone, Prifysgol Cymru, Bangor 5-7 Gorffennaf, 1995 Rhaglen a Chrynodebau |
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Introduction and context for the Symposium by Professor John Harper
Aspects of the palaeography and history of the ap Huw manuscript by Mr. Stephen Rees
The Robert ap Huw Manuscript: problems of tranforming music into written text and written text into music by Mr. Pekka Toivanen
The Tablature of the Iolo Morganwg Manuscript, Lbl Add MS 14970 by Mr. Paul Whittaker
Melodic formulae in the ap Huw manuscript by Mr. Peter Greenhill
Robert ap Huw: a wanton minstrel of Anglesey by Ms. Nia Powell
The composers in the ap Huw Manuscript: the evidence for their date and identity by Prof. Peter Crossley-Holland
Recital by William Taylor and Robert Evans
Robert ap Huw's harp technique by Mr. William Taylor
Towards a unified tuning cycle by Mr. Robert Evans
Recitation of the cywyddau of Dafydd ap Gwilym to the accompaniment of music from the ap Huw manuscript presented by Elinor Bennett and Professor Gwyn Thomas
These pages were retyped from the Symposium Program by Lowri Sprung. She did not write the abstracts. She did not translate the Welsh. The proceedings of this symposium will be published in Welsh Music History, in 1998. For more information - see the Preface.
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